Cat on a Hot Tin Roof (London 2017) OTHER REVIEWS

Photo: Ben Brantley

  • Opening Night:
    July 24, 2017
    October 7, 2017

    Theater: The Young Vic / 66 The Cut, Waterloo, London, United Kingdom SE1 8LZ


    On a steamy night in Mississippi, a Southern family gather at their cotton plantation to celebrate Big Daddy’s birthday. The scorching heat is almost as oppressive as the lies they tell. Brick and Maggie dance round the secrets and sexual tensions that threaten to destroy their marriage. With the future of the family at stake, which version of the truth is real – and which will win out?

    Sienna Miller stars as Maggie alongside Jack O’Connell as Brick and Colm Meaney as Big Daddy. A return to the stage for director Benedict Andrews following his smash hit production of A Streetcar Named Desire. Tennessee Williams’ searing, poetic story of a family’s fight for survival is a twentieth century masterpiece.

  • NEW YORK TIMES REVIEW OF Cat on a Hot Tin Roof (London 2017)

    Review: Sienna Miller Coaxes New Life From an Old ‘Cat’

    Ben Brantley

    July 25, 2017: LONDON — Sun-starved souls seeking refuge from the untimely midsummer coolness that has enveloped this city needn’t book a flight to Ibiza. They only have to hurry to the Apollo Theater, where a big old bonfire is blazing under the title of “Cat on a Hot Tin Roof,” which opened here on Monday night. Directed by Benedict Andrews, this thrilling revival of Tennessee Williams’s 1955 Pulitzer Prize winner burns bright enough to scorch but also to illuminate. Starring a perfectly paired Jack O’Connell and Sienna Miller, this Young Vic production brings combustible conviction to a smoldering classic that has only rarely ignited in performance in recent years. After the limp 2013 Broadway version, directed by Rob Ashford and most notable for the presence of a hyperventilating Scarlett Johansson, I was about ready to write off “Cat” as one of those searing “adult” dramas that seem increasingly quaint as the years go by. After the novelty has faded from its once daring premise — of a lusty wife whose (possibly gay) husband refuses to sleep with her — what’s left?



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