The Bridges of Madison County BROADWAY REVIEWS

• NEW YORK TIMES REVIEW OF The Bridges of Madison County

  

  Hearts Ache in the Heartland. ‘Bridges of Madison County’ Brings Iowa to Broadway

  Ben Brantley

  February 20, 2014: “Iowa.” When Kelli O’Hara sings that word, a plain place name becomes a prism of rippling ambivalence. Portraying an Italian war bride transplanted to the middle of America, Ms. O’Hara finds a breathtaking sweep of feelings within the iteration of those three small syllables. “Iowa,” she sings, in the number that begins the new musical The Bridges of Madison County, and you hear both the heady hope of liberation and the hopeless acceptance of captivity. And suddenly, Madison County starts to seem like a far more exciting place to visit than you might have imagined.

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• TIME OUT NEW YORK REVIEW OF The Bridges of Madison County

  

  The Bridges of Madison County: Theater review by Adam Feldman

  Adam Feldman

  February 20, 2014: My eyes rolled a bit, I must confess, at the prospect of a Broadway musical based on Robert James Waller’s sentimental 1992 bestseller, The Bridges of Madison County (which also inspired a 1995 film with Meryl Streep and Clint Eastwood). But I must also admit that those same jaded eyes, by the end of the show, had misted up more than once; and judging from the waves of muffled sniffles around me, this was not an uncommon response. Marsha Norman and Jason Robert Brown’s adaptation earns those tears. The musical’s emotion is unapologetically grand, and its love duets have a wide, old-fashioned scope. Directed with spare precision by Bartlett Sher—reunited with his most of his South Pacific design team­—it’s a new work that plays like a classic.

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• NBC NEW YORK REVIEW OF The Bridges of Madison County

  

  "Bridges" Review: Romance? They've Got it Covered

  Robert Kahn

  February 20, 2014: The engaging new musical The Bridges of Madison County, now open at the Gerald Schoenfeld Theatre, left me wondering two things. First: Can Kelli O’Hara do anything? And second: Are we so starved for affection we’re willing to give over our hearts to a story that is — sorry, folks! — utterly preposterous? Even after swooning over the book? And sighing over the movie? The answers: Indeed, Kelli O’Hara can do anything, darn near perfectly, including transform herself into a chestnut-haired Italian beauty who, for the better part of two decades, has assumed the role of an Iowa housewife. And, apparently … yes. We are suckers for a good love story, no matter the form, and even when it's likely we recall the outcome.

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• ENTERTAINMENT WEEKLY REVIEW OF The Bridges of Madison County

  

  Stage Review 'The Bridges of Madison County'

  Thom Geier

  February 20, 2014: How do you solve a problem like Francesca, the seemingly virtuous woman who embarks on a torrid affair with a traveling photographer in The Bridges of Madison County? How do you maintain sympathy for an adulterous Italian war bride who finds herself in an Iowa farmhouse in 1965 with a well-meaning former G.I. and two teenage kids? If you're a movie studio, you cast Meryl Streep and let her work her magic. If you're a Broadway producer turning Robert James Waller's best-selling novel into a stage musical, you hire the honey-voiced Kelli O'Hara, who has a credible Italian accent, a feet-on-the-ground maturity, and hints of the footloose ingenue she was playing on stage only a few years ago.

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• NEWSDAY REVIEW OF The Bridges of Madison County

  

  'The Bridges of Madison County' review: Weepy romance detours into conventional Broadway

  Linda Winer

  February 20, 2014: The Bridges of Madison County is a ravishingly beautiful musical play based on the phenomenally popular 1992 weeper about a four-day love affair between an Iowa farm wife from Italy and a worldly photographer. In other words, this is unblushing Harlequin Romance-style material bound in top-quality leather. So many intelligent, gifted artists are involved in this adaptation that we wish the objective were deeper than a high-toned bodice ripper with comic-relief detours into conventional Broadway. But Kelli O'Hara and Steven Pasquale, magnificently magnetic as Francesca and Robert, make the ripping feel like real heartbreak. And director Bartlett Sher and his creative team from South Pacific are storytellers who understand the luscious power of simplicity.

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